Gabriela Gutarra has studied
Spanish classical dance, folklore and flamenco mainly in Seville and Madrid.
Among her teachers were: Milagros Menjibar, Manolo Marin, Juana Amaya,
Jose Galvan, Merche Esmeralda, Carmen Cortez, Paco Romero, Pedro Azorin
and Maria Magdalena.
Since 1991 Gabriela Gutarra
has resided permanently in Stockholm, Sweden. She has since then staged
and toured fifteen productions throughout Scandinavia and Germany. She
has also been invited to perform and to give master dance classes in several
other countries, Argentina, Cuba and Costa Rica to name a few.
The Flamenco Center in Stockholm
is the basis for Gabriela Gutarra’s sphere of activities. It serves
as a stage for small productions, as a dance studio and as a get-together
place for all flamenco enthusiasts.
At the Flamenco Center, Gabriela
teaches classes in Spanish dances at all levels from beginners to advanced.
She is recognized for her excellence in teaching and attention to the
individual needs of each student.
Gabriela’s awareness
of the specific problems that most students have with the physical, psychological
and rhythmic aspect of the flamenco dance led her to develop her own teaching
method aimed at the adult students who want to learn flamenco but did
not have the opportunity
to start as a child. She provides these students/teachers with a specialized
technique-training program, which facilitates the transition to choreographing
later on.
Gabriela has also worked as
a flamenco consultant for many dance schools. She has with great success
coached Escuela de Flamenco Ecos in Havana, Cuba, the Dance Academy in
St Petersburg, Russia, and numerous dance groups throughout Scandinavia.
Gabriela’s passionate
dance and devotion to teaching stimulated many different artists to find
an inspiration source in flamenco. Gymnasts found inspiration for new
programs, painters and flower arrangers for images and ideas. Gabriela
has also encouraged and assisted other dancers to set up their own schools
and flamenco groups.
Gabriela strives to extend
the understanding of flamenco art. She expands the borders of the conventional
flamenco show through emphasizing its intellectual aspect and combining
flamenco with other forms of art. By doing so, Gabriela manages to create
flamenco that feels ingenious and fascinating to the audience, in addition
to contributing to her own growth as an artist.
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